World Spending Your Tax Dollars To Advertise Our Religion Day


Kindly sent to me via the Reverend.

Land of the Free


Update: Excuse me while I wipe the egg off my face–I’ve since been informed that this is not in fact an American government conspiracy, but a setting in Microsoft Outlook my father must have hit by accident. I don’t know if I’m more embarrassed that I jumped to a conspiracy theory conclusion (though let’s face it, call it a terrorist surveillance program and you can do whatever you want), or admitting my father uses Outlook!

My father, who is Australian, has lived in the States for more than 20 years, and has gone from being pro-American in most things to disgusted with the way the country has been run into the ground by Bush and his minions. Here’s a little example of how the Land of the Free treats its citizens these days.

He recently sent an email to my brother and I which contained this paragraph:

“… of course we have this stupid election process to elect a president and that has gone on for about 10 months and has still months to go! I can’t believe how any intelligent country can have such process that is so long it gets boring and and costs millions and millions–Hillary Clinton is already 20 million in debt. Everyone I speak to agrees the process in Oz makes so much more common sense.”

He was checking his ‘Sent’ folder to make sure the email had gone through when he noticed a line written in red at the top of his message that he hadn’t put there. It read:

“This message is being watched.”

I kid you not.

Feist, Metro Theatre, Sydney


I meant to post this ages ago but didn’t get around it, along with reviews of Suzanne Vega and Joe Jackson …
Enraptured, like many others I suppose, by Feist’s cheerful ditty 1234 when I saw it advertising the iPod, I went online and checked out some of her videos and was pleasantly surprised to discover a very individual and interesting singer songwriter. They’re becoming a rare breed in this age of cookie-cutter copycat American Idol alumni.

On my birthday my gorgeous girlfriend gave me her latest album and tickets to her Sydney show; a rare opportunity to see an artist live without knowing her material inside and out. It can be a refreshing thing to do, as then the artist’s music immediately takes on that extra dimension of the live experience, though of course it can be risky too.
Thankfully, Feist didn’t disappoint. From the opening bit of shadowplay projection where a lantern is plucked from a tree branch and she came tiptoeing on stage with the lantern in hand like a guilty elf, we were in for something just that little bit different. The show started with an interesting layered vocal track, a technique used effectively several times during the show where Feist sang into a microphone which then looped the vocal lines for instant three and four part harmony accompaniment.

Despite the twin distractions of a bunch of stupid noisy girls playing with their frackin’ mobile phones, and a strangely arctic temperature within the usually comfortable Metro, we enjoyed the show a lot. Though I would like to see her breaking out from the nice ballads a bit more with tracks like Sea Lion, which rocked with the help of scratchy, raw guitar work which brought the Velvet Underground to mind.

Here’s hoping she doesn’t disappear into obscurity. I think she’s been around for a while though and by the sound of the last album has plenty of ideas left yet.

Cat holic Tastes (Sorry)


Drusilla curls up with a good book.

Boardgame Design: Tales of the Arabian Nights


Card front and logo
[click image to enlarge]

My next major boardgame design project has been the remake of the 80’s classic part-boardgame, part-roleplaying game, Tales of the Arabian Nights, by Eric Goldberg, to be published by Z-Man Games. There have been two versions of this game–one in English in 1985, and one in German in 2000.

I pushed to get this job because I thought the rich possibilities of the theme had not yet been explored in gaming graphic design. The Arabian Nights is an unique and exciting melieu, but too often it gets a very Westernised fantasy treatment. One of my personal goals was to create artwork that reflected the exotic nature of the Arabian Nights. So the motifs are sourced from Islamic decoration, embellished with glittering metals and colourful jewels. Another big influence were the wonderful ‘Golden Age’ illustrations of such masters as Arthur Rackham, Edmund Dulac and René Bull.

Encounter card
[click image to enlarge]

It was the chapter headings from René Bull’s 1912 edition of the Arabian Nights that inspired the game logo. Using that hand-drawn font as a basis, I reworked the letter forms to arrive at something a bit more readable but still evocative of curvilinear Arabic letterforms.

The mechanic that makes Tales of the Arabian Nights quite different from your usual game is the story–as the players adventure throughout the known world they refer to numbered paragraphs in a Book of Tales that tell an exciting interactive tale–a bit like the old Choose Your Own Adventure books. The players’ reactions to the encounters influence and expand the story.

The game has a wealth of cards, many of which refer to these numbered paragraphs. In the Efreet encounter shown, the paragraph referred to depends on the time of day the encounter occurs, either morning, noon or night (or more prosaically, the further along the game has advanced).

Location encounter card
[click image to enlarge]

On location encounter cards, the paragraph number depends on the terrain in which the encounter takes place. One thing I got rid of from the old editions were the fiddly icons that denoted the different locations on the board. Instead, I used coloured gems (also different shapes to assist colourblind players). These correspond to paragraph numbers on the encounter cards. It’s also immediately obvious which type of terrain the gem is in from the colors and illustrative terrain on the board.

City encounter cards refer to specific cities on the board and feature a picture of the location and a random encounter table. There are also many other cards for various player statuses such as ‘love struck’, ‘pursued’ or ‘under geas’.

The card illustrations were done by the talented Dan Harding, whose bold, evocative work dominates the design. Nice work Dan.

The map, of course, was the main design challenge. In previous incarnations the map was painted in a very conservative fashion–green forests, blue seas etc. This new map, a small detail of which is shown, is heavily influenced by ancient cartography, the fascinating subject of several books I own. Hence the parchment look, the more subtle colouring, and the period-accurate style. Instead of little illustrations I have used silhouettes of buildings that match the architectural styles of the cultures, which contrast nicely with the old map look.

Map detail
[click image to enlarge]

There’s still a bit more work to do on this project–laying out a 256+ page Book of Tales for example–but I’m convinced it will be worth the wait. Because this game is such a storytelling, semi-roleplaying one, the object has been to create designs that transport the players to another world, stimulate their imaginations, and immerse them in the exotic, different world of the Arabian Nights. With the aid of research into old Arabian Nights editions, Islamic decoration and ancient cartography, I hope to achieve that goal.

More previews soon!

Catholics and Aliens


Catholics think some aliens may be innocent of the original sin Of course, the Church would still be happy to give ’em war, disease and cultural genocide.

Nothing’s changed I suspect


A friend and I were discussing the rings that creatives have to jump through when quoting to corporate clients, when he came up with this analogy I just had to repeat here:

I’m visualising Pope Julius II saying to Michelangelo:

“We want you to paint the ceiling of the Sistine Chapel for us, but we want a fixed-price quote showing your estimate of the level of complexity, scope of work and an allowance for us screwing with your design at any time. Oh, and by the way, if your price doesn’t match our idea of what it’s worth we’ll refuse to pay at all and if you make any trouble we’ll denounce you to the Inquisition and have you burnt at the stake as a heretic. Now go and get your paints, wonderboy.”

What Is This, a Hallmark Blog?


Fear not, the kind of hard-edged cynicism you’ve come to expect from Headless Hollow will return soon.

Yessss… You Are Our Playthingssss



May I introduce to my readers two little additions to our life: Ripley (on the left) and Drusilla (on the right). Just settling in and already hatching evil plans for house domination.

Catholic Promo Day Paid For By Taxpayers


Catholic Promo Day will cost NSW taxpayers $86mil plus This is an absolute frackin’ disgrace; why am I paying taxes to promote the Catholic Church?

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